Gear, Part II
So there I am, sitting next to my John Monteleone Radio Flyer, a sweet, sweet, beautiful sounding acoustic/electric 16" archtop guitar. John finished it in 2002, and I received it on New Year's Day 2003, just in time to record the CD "Nature Boy" with Aaron Neville.
In my opinion, Monteleone is the greatest builder of carved-top guitars in the world today, and he offers a direct link to such great builders as John D'Angelico and James D'Aquisto, as well as Mario Maccaferri, builders who refined and extended the possibilities of the Jazz Guitar. Their guitars have been used (often!) by many of my heroes: players such as Django Reinhardt, Irving Ashby, George Benson, Joe Pass, and Jim Hall. John Monteleone learned from all three of these master craftsmen, and his instruments are informed by their tradition. Not only that, but he has gone beyond them, to add his own innovations and his brilliant sense of design to create stunning, masterpiece instruments that sound like no others. It is an honor to play this guitar.
The instrument is strung most often with D'Addario Phosphor Bronze strings (.013-.056), and is fitted with a Kent Armstrong floating pickup (a high-gain, PAF-style with adjustable pole pieces). The acoustic sound of the instrument is important to me, and is served well by the bronze strings. On Diana Krall's concerts, Dave Lawler (our front of house sound mixer and guru) uses a Neumann KM184 pointed towards the guitar to capture the acoustic sound of the Radio Flyer, which is then plugged directly into an all-tube "Belmont" amplifier made by Clark Amplification of South Carolina.
More about my Clark amp, and my 1969 Les Paul Deluxe tomorrow... Now I've got to check out of the hotel and get on the plane bound for Louisville.... Seems I heard a great song by Sam Bush about that town... Ah, and we're playing in the same theater where Allison Krauss and Union Station recorded their live DVD/CD. Good vibes there!
More tomorrow, AW
In my opinion, Monteleone is the greatest builder of carved-top guitars in the world today, and he offers a direct link to such great builders as John D'Angelico and James D'Aquisto, as well as Mario Maccaferri, builders who refined and extended the possibilities of the Jazz Guitar. Their guitars have been used (often!) by many of my heroes: players such as Django Reinhardt, Irving Ashby, George Benson, Joe Pass, and Jim Hall. John Monteleone learned from all three of these master craftsmen, and his instruments are informed by their tradition. Not only that, but he has gone beyond them, to add his own innovations and his brilliant sense of design to create stunning, masterpiece instruments that sound like no others. It is an honor to play this guitar.
The instrument is strung most often with D'Addario Phosphor Bronze strings (.013-.056), and is fitted with a Kent Armstrong floating pickup (a high-gain, PAF-style with adjustable pole pieces). The acoustic sound of the instrument is important to me, and is served well by the bronze strings. On Diana Krall's concerts, Dave Lawler (our front of house sound mixer and guru) uses a Neumann KM184 pointed towards the guitar to capture the acoustic sound of the Radio Flyer, which is then plugged directly into an all-tube "Belmont" amplifier made by Clark Amplification of South Carolina.
More about my Clark amp, and my 1969 Les Paul Deluxe tomorrow... Now I've got to check out of the hotel and get on the plane bound for Louisville.... Seems I heard a great song by Sam Bush about that town... Ah, and we're playing in the same theater where Allison Krauss and Union Station recorded their live DVD/CD. Good vibes there!
More tomorrow, AW
